1x11

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7³â Àü ³ª´Â SD-6¶ó°í ºÒ¸®´Â
CIAÀÇ ºñ¹Ð ÁöºÎ¿¡ ä¿ëµÇ¾ú´Ù

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SD-6ÀÇ ÃÑ Ã¥ÀÓÀÚ°¡ ±× »ç½ÇÀ» ¾Ë¾Æ³»°í

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SD-6´Â CIAÀÇ ÀϺΰ¡ ¾Æ´Ï°í

³­ ³»°¡ ´ëÇ×ÇØ ½Î¿ì°í ÀÖ´Ù°í »ý°¢Çß´ø
¹Ù·Î ±× »ç¶÷µéÀ» À§ÇØ ÀÏÇϰí ÀÖ¾ú´Ù

±×·¡¼­ ³ª´Â ±×µéÀ» ¾²·¯¶ß¸± ¼ö ÀÖ´Â
À¯ÀÏÇÑ Àå¼Ò¸¦ ã¾Æ°¬´Ù

ÀÌÁ¦ ³ª´Â CIAÀÇ ÀÌÁß ¿ä¿øÀÌ´Ù

CIA¿¡¼­ÀÇ ³» ´ã´çÀÚ´Â
¸¶ÀÌŬ º»À̶ó´Â »ç¶÷ÀÌ´Ù

À¯ÀÏÇÏ°Ô ³ªÀÇ Á¤Ã¼¸¦ ¾Æ´Â
´Ù¸¥ ÇÑ »ç¶÷Àº

SD-6 ¾ÈÀÇ ¶Ç´Ù¸¥ ÀÌÁß ¿ä¿øÀÌ´Ù

³»°¡ °ÅÀÇ ¾ËÁö ¸øÇÏ´Â »ç¶÷

³» ¾Æ¹öÁö´Ù

 

¾È³çÇϼ¼¿ä, Àª ƼÇÉÀÔ´Ï´Ù

µ¥À̺ø ¸Æ´ÒÀÌ¿À

±×·³ Áö±Ý ¹» ÇÏÀÚ´Â °Å¿ä?

Á¦°¡ Á¶»çÇÏ´Â°Ô Àְŵç¿ä

SD-6¿¡ ´ëÇØ¼­¿ä

³­ ±×°Í¿¡ ´ëÇØ¼­ ÇÒ ¾ê±â ¾ø¼Ò

±×³É ´ç½ÅÀÌ ¾Æ´Â °Í¸¸
ÀúÇÑÅ× ¾ê±âÇØ ÁÖ¼¼¿ä

 

´©°¡ ÀÌ CIA ¿ä¿øµéÀ» »ìÇØÇß´ÂÁö
20³âÀÌ ³Ñ°Ô Àǹ®À¸·Î ³²¾Æ ÀÖ¾ú¾î¿ä

ÀÌÁ¦ ¿ì¸° ÇØ´äÀ» ¾Ë°í ÀÖ¾î¿ä

±×°Ç ´ç½Å ¾Æ¹öÁö¿´¾î¿ä

 

³­ ±×¸¦ °í¹ßÇÒ °Ì´Ï´Ù

 

±× Ã¥¿¡¼­ ¹ß°ßÇÑ Å°¸± ¹®ÀÚ´Â

 

KGB¿¡¼­ ³ª¿Â ¸í·ÉÀÌ ¸Â´Ù

Á×À̶ó´Â ¸í·ÉÀ̾ú´Ù

ÀÚ³× ¾Æ¹öÁöµµ Æ÷ÇÔÇØ¼­
º» ¿ä¿ø

ÇÏÁö¸¸ ½Ãµå´Ï
±× ¿ä¿øÀº ³»°¡ ¾Æ´Ï¾ú´Ù

 

³× ¾î¸Ó´Ï¿´´Ù

 

½Ãµå´Ï!

 

±â´Ù·Á¶ó!

 

À̼ºÀ» ÀÒÀ¸¸é ¾ÈµÈ´Ù

Á¦°Ô ¼³±³¸¦ ÇϽñ⿡
ÁÁÀº ½Ã°£Àº ¾Æ´Ñµ¥¿ä

- ³×°¡ ¾î¶»°Ô ´À³¢´Â Áö ¾È´Ù
- Á¤È®ÇϰԴ ¾Æ´Ï¿¡¿ä

¾Æºü¿¡°Õ ÀÌ ÀÏÀ» ¹Þ¾ÆµéÀÏ ¸¸ÇÑ
½Ã°£ÀÌ ÃæºÐÈ÷ ÀÖ¾úÀݾƿä

³ª¿¡°Ôµµ »õ·Î¿î ÀÏÀ̾ú´ø ÀûÀÌ ÀÖ¾ú´Ù

 

³× ¾î¸Ó´Ï´Â CIAÀÇ »ó±Þ ¿ä¿øÀ¸·ÎºÎÅÍ
Á¤º¸¸¦ »©³»±â À§ÇØ ¹Ì±¹À¸·Î º¸³»Á³´Ù

±×³à¿Í ³»°¡ ¸¸³ª°Ô µÈ °Í

»ç¶û¿¡ ºüÁö°Ô µÈ °Í

 

³­ ±× ¸ðµç °Ô
»ç½ÇÀÎ ÁÙ ¾Ë¾Ò´Ù

 

ÇÏÁö¸¸ ±×°Ç °èȹµÈ °Å¿´¾î

 

¾ö¸¶°¡ °¡Á¤À» ÀÌ·ç·Á°í Çß´ø °Íµµ¿ä?

¾Æ´Ï¸é ±×°Íµµ ±× °èȹÀÇ ÀϺο´³ª¿ä?

 

"How Can I Keep From Singing" by Enya
¢Ý My life goes on ¢Ý

¢Ý In endless song ¢Ý

¢Ý Above earth's lamentation ¢Ý

 

¢Ý I hear the real ¢Ý

¢Ý Though far-off hymn ¢Ý

¢Ý That hails a new creation ¢Ý

 

´©±º°¡¿¡ ´ëÇÑ Áø½ÇÀ» ¾Ë¾ÒÀ» ¶§
¹«½¼ ÀÏÀÌ »ý±â´Â Áö¿¡ ´ëÇØ¼­´Â

Á¶±ÝÀº ¾Ë°í ÀÖ¾î¿ä

¢Ý I hear its music ringing ¢Ý

Áø½ÇÀº ¸ðµç °É ¹Ù²Ù¾î ¹ö¸®ÁÒ

 

ÇÑ ¿©ÀÚ°¡ ÀÖ¾î¿ä

 

³»°¡ ºÙ¿© ¸¸µç
²Ã¶óÁê °°Àº Á¸Àç¿¡¿ä

»çÁø°ú ³»°¡ °¡Áø ±â¾ï

³»°¡ ÁÖ¿öµéÀº À̾߱â

³»°¡ °¡Áö°í ÀÖ´Â ¿Êµé

 

±×³àÀÇ Ã¥µé

 

¸ðµÎ°¡ ÁøÂ¥°¡ ¾Æ´Ï¾ú¾î¿ä

 

¾ö¸¶´Â ±×·± ¿©ÀÚ°¡ ¾Æ´Ï¾ú¾î¿ä

 

±×³à´Â ²ûÂïÇÑ »ç¶÷À̾ú¾î¿ä

 

´ç½Å ¾Æ¹öÁö¸¦ Á×ÀÎ...

 

º», ³­ Á¤¸»...

 

Á¤¸» ¹Ì¾ÈÇØ¿ä

 

¢Ý How can I keep from singing? ¢Ý

 

ÁÖÂ÷Àå µÚÆí
°¨½Ã ½ÅÈ£°¡ ²÷°å´Ù

°­Á¦ ħÀÔ ±â¹Ì´Â?

Á¤¹® Á¦¾îÆÇ¿¡¼­´Â ¾ø´Âµ¥

 

³»°¡ »ìÆìº¸Áö

ºí·¢ Ä¿ÇÇ Á» °¡Á®´Ù Áà
¼³ÅÁÀº µÎ °³

 

Àü±â ¹è¼± ¼ö¸®¿¡ ´ëÇØ
¾Æ´Â °Í ÀÖ¾î?

 

ÀüÇô

 

ÀÌÁ¦ ÀÌ ÀÏÀº
ÇÏ°í ½ÍÁö ¾Ê¾Æ¿ä

½Ãµå´Ï, ±×°Ô ¹Ù·Î
´ç½ÅÀÌ ÀÏÇÏ´Â ÀÌÀ¯¿¡¿ä

´ç½ÅÀº SD-6¸¦ ³¡Àå³»´Â °É µ½°í ÀÖ¾î¿ä

- ´õ ÀÌ»óÀº ¾Æ´ÏÁÒ
- ½Ãµå´Ï

³­ ³» »î¿¡¼­ ÁøÂ¥ »ç¶÷ÀÌ ÇÊ¿äÇØ¿ä

¹Ù·Î ¿©±â, ¿ì¸®°¡ ÇÏ´Â ÀÏÀÌ ÁøÂ¥¿¡¿ä

¿©±æ Á» ºÁ¿ä

ÀÌ°Ç ÁøÂ¥°¡ ¾Æ´Ï¿¡¿ä

ÀÌ°Ç ¿ì¸®°¡ ÇÒ ÀÏÀÌ ¾Æ´Ï¿¡¿ä

- ³ª°¡°í ½Í¾î¿ä
- ³ª°£´Ù±¸¿ä?

 

º¸È£ ÇÁ·Î±×·¥¿¡
µé¾î°¥ °Å¿¡¿ä?

¾Æ´¢
¼ûÁö ¾ÊÀ» °Å¿¡¿ä

±×·¯Áö ¾ÊÀ¸¸é
½½·ÐÀÌ ´ç½ÅÀ» Á×ÀÏ °Å¿¡¿ä

±×·¯Áø ¾ÊÀ» °Å¿¡¿ä

 

´ç½Å ÇÏŰ ÁÁ¾ÆÇÏÁÒ?
Å·½º ÆÒÀÌÁÒ?

- ³×, ¾î¶»°Ô...
- ´ç½Å °¡¹æ¿¡ ÀÖ´Â Ææ¿ä

Å·½º ÆæÀÌÀݾƿä

³×, ±×°Ç...

´ÙÀ½ ÁÖ¿¡ ¾ÆÀÏ·£´õ¿Í
°æ±â°¡ ÀÖ¾î¿ä

°°ÀÌ °¡¿ä

 

½Ãµå´Ï, ÀÌ·¯¸é ¾È µÅ¿ä

 

ÀÌ°Ô À۳⿡ µ¥À̺ø ¸Æ´ÒÀÇ
º¯È£»ç°¡ »ó¼ÒÇÑ ¼­·ù¿¡¿ä

±×¸®°í SD-6´Â Àΰø °¨¹Ì·áÀÇ
¼ººÐ Áß Çϳª¶ó´Â °É ¾Ë¾Æ³Â¾î¿ä

ÇÏÁö¸¸ ´ç½ÅÀÌ ¾ê±âÇÏ´Â
±× SD-6´Â ¾Æ´Ï°ÚÁÒ

- ³» ¸ñ¼Ò¸®°¡ Â¥Áõ³ª?
- ´ç½Å ¸ñ¼Ò¸®¿ä?

±×·¡, ¿¤·ÎÀÌÁî Ä¿Ã÷¿ÍÀÇ
ÀÎÅͺ並 ´Ù½Ã º¸°í

³»°¡ µ¥À̺ø ¸Æ´ÒÀ» ÀÎÅͺäÇÒ ¶§
±×ÀÇ ´«ºû¿¡ ´ëÇØ¼­ »ý°¢ÇØ ºÃ´Âµ¥

±×ÀÇ º¯È£»çµµ ¶È°°¾Ò¾î

´ç½ÅÀº ±âÀÚÀݾƿä
Â¥Áõ³ª°Ô ±¼¾î¼­ ¿ù±Þ ¹Þ´Â °Å¶ó±¸¿ä

- ±×·¯´Ï±î ³»°¡ Â¥Áõ³­´Ù´Â ¾ê±â±º
- ´ë´Ï³ª ¿¤·ÎÀÌÁî Ä¿Ã÷¿¡°Õ ¾Æ´ÏÁÒ

- ±×·³ Á×Àº »ç¶÷¿¡°Õ Â¥Áõ½º·´°Ô ±¼Áö ¾Ê´Â´Ù°í?
- ´ç½ÅÀº ±×µéÀÇ Åõ»ç¿¡¿ä

³»°¡ ÇÏ´Â ÀÏÀÌ ±× »ç¶÷µéÀ»
À§ÇèÇÏ°Ô Çϰí ÀÖ´Â °Ô ¾Æ´Ò±î?

´ë´Ï ÇíÆ®¿Í ¿¤·ÎÀÌÁî Ä¿Ã÷¸¦ ´Ù½Ã
µÇµ¹¸± ¼ö ÀÖ´Ù¸é ±×·¸°Ô ÇϰÚÁö¸¸

±×·² ¼ö ¾øÀݾÆ

±×µéÀ» À§ÇØ ½Î¿ì´Â °Ô

µ¥À̺ø ¸Æ´ÒÀÇ µþÀ»
À§Çè¿¡ ºü¶ß¸®°Ô µÇ´Â °Å¶ó¸é

³­ ±×·¸°Ô »ì ¼ö ¾ø¾î

´õÀÌ»ó SD-6 ±â»ç¸¦
¾µ ¼ö ÀÖÀ» °Í °°Áö ¾Ê¾Æ

 

±×¸¸ µÑ·¡

 

Á¦ ½Ã°£¿¡ ¿Ô±º¿ä

 

"Dragula"
by Rob Zombie

 

¢Ý Dig through the ditches
and burn through the witches ¢Ý

¢Ý I slam in the back
of my Dragula ¢Ý

¢Ý Dig through the ditches
and burn through the witches ¢Ý

 

³ª ¾î¶§?

 

³» ¾Æ³»ÀÇ Àǻ翡°Ô
¿¬°áÇØ ÁÖ°Ú³ª?

 

±×·¡

 

¸àµ¨¼Ò´Ï½º ¹Ú»ç°¡
1¹ø¿¡ ¿¬°áµÇ¾ú½À´Ï´Ù

 

ºÎÀå´Ô?

 

ºÎÀå´Ô?

 

À̺Á, ÀÌ»ÛÀÌ

±× Âô±×¸° ¾ó±¼ Á» ÆìÁö ±×·¡?

 

Á¦´ÏÆÛ °¡³Ê (½Ãµå´Ï ºê¸®½ºÅä æµ)

·Ð ¸®ÇÁŲ (¾Æºó ½½·Ð æµ)

¸¶ÀÌŬ ¹ÙÅÄ (¸¶ÀÌŬ º» æµ)

ºê·¡µé¸® ÄíÆÛ (Àª ƼÇÉ æµ)

¸Þ¸° ´øÁ¦ÀÌ (ÇÁ·£½Ã Ä®Æ÷ æµ)

Ä® ·³ºí¸® (¸¶Ä¿½º µñ½¼ æµ)

Äɺó ¿ÍÀÌÁî¸Õ (¸¶¼£ J. ÇøµÅ©¸Õ æµ)

ºòÅÍ °¡¹ö (Àè ºê¸®½ºÅä æµ)

 

ALIAS 1x12 "The Box Part 1" »óÀÚ 1ºÎ

¹æ¿µÀÏ : 2002³â 1¿ù 20ÀÏ

 

Ưº° Ã⿬ : Äí¿£Æ¾ Ÿ¶õƼ³ë (¸ÆÄɳª½º ÄÝ æµ)
½Ãµå´Ï

Ưº° Ã⿬ : Äí¿£Æ¾ Ÿ¶õƼ³ë (¸ÆÄɳª½º ÄÝ æµ)
.

Ưº° Ã⿬ : Äí¿£Æ¾ Ÿ¶õƼ³ë (¸ÆÄɳª½º ÄÝ æµ)
½Ãµå´Ï!

 

- ÀÌ°Ç ÀÚ»ìÇàÀ§¾ß
- Àü ±×·¸°Ô »ý°¢ ¾È ÇØ¿ä

¿©±â¼­ ´ëü ¾î¶»°Ô ³ª°¥ »ý°¢À̳Ä?

½½·Ð¿¡°Ô SD-6¸¦ ±×¸¸ µÎ°Ú´Ù°í
Á¤ÁßÇÏ°Ô ¸»ÇÏ·Á°í?

Àú¿¡ ´ëÇÑ ½½·ÐÀÇ
ŵµ¸¦ º¸¸é ¾Ë¾Æ¿ä

µð³ªÆ¼ °ø¿ø¿¡¼­ Àý º¸È£ÇØÁá°í
·¯¼½À» ÆøÇàÇÑ °Íµµ..

½½·ÐÀº ¸í·ÉÀ» µû¸£´Â °Í »ÓÀÌ´Ù

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»ç¶÷µéÀÇ ¸í·É¿¡

±×°¡ ³Î ³öÁشٸé

±× »ç¶÷µéÀº ±×¿Í ³Ê¸¦ Á¦°ÅÇҰžß

 

ÄÝ

 

¾ÈÀüÀåÄ¡ ÀÛµ¿

 

½½·ÐÀÌ º¹Á¾ÇÏ´Â ¾ó¶óÀ̾𽺿¡¼­

³×°¡ ±×µé¿¡°Ô µîÀ» µ¹¸° °É ¾Ë¸é
³×°¡ ¾Æ´Â ¸ðµç »ç¶÷À» Á×Àϰžß

³× ·ë¸ÞÀÌÆ® ÇÁ·£½Ã

³ÊÀÇ ±× ±âÀÚ Ä£±¸±îÁöµµ

 

¸ÂÃ纼±î?
¼³ÅÁ µÎ °³ ±î¸Ô¾úÁö?

 

°­Á¦·Î ħÀÔÇÑ ³ðµéÀÌ ÀÖ´Ù
´çÀå Æó¼â ÀýÂ÷¸¦ ½ÃÀÛÇ϶ó

¹°·ÐÀÌÁö, ¾Æºó
´©±¸ ¸»¾¸À̽öó°í

 

¾ö¸¶¿¡ ´ëÇØ ¾Ë¾ÒÀ» ¶§µµ
°°Àº ´À³¦À̾ú¾î¿ä

ÀÌ·± ÀλýÀº ±×¸¸µÖ¾ß ÇØ¿ä

 

²÷°å´Ù

Á¤Àü µÆ´Ù°í ÇØ¼­
º¸¾È±îÁö ÇØÁ¦µÇÁø ¾Ê´Âµ¥

 

ƼÇÉÀÔ´Ï´Ù

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³­ ±â»ç¿¡¼­ ¼Õ ¶Ã¾î¿ä

È­Àå½Ç¿¡¼­ ³ª°¡¼­
³× Ã¥»óÀ¸·Î °¡¶ó

 

Àª ƼÇÉÀÇ »ç¹«½ÇÀÔ´Ï´Ù

³×, ¿©±â ÀÖ½À´Ï´Ù

¾î¶² ³²ÀÚÀε¥
¿ÏÀüÈ÷ Äà¼Ò¸®³×¿ä

±× ÁÖÅà ±â»ç¿ä, ¸®Æ®¹éÀÌ ³»ÀÏ
Á¤¿À±îÁö 2000ÀÚ·Î ½á¿À·¡¿ä

 

¿©º¸¼¼¿ä?

±× ºÀÅõ ¾È¿¡ ¸Æ´ÒÀÌ ÀÔÀ»
¿­ ¸¸ÇÑ °Ô µé¾îÀÖ´Ù

±×°¡ ¸»ÇÏ°Ô ÇÏ°í ½ÍÁö ¾Ê¾Æ¿ä

½±°Ô °Ì¸ÔÁö ¾Ê´Â´Ù°í ¸»ÇßÁö

´ç½ÅÀÌ ±×·¸°Ô ¿ë°¨ÇÏ¸é ±× À½¼º
º¯Á¶±â³ª »©°í À̸§À» ¾ê±âÇØ ºÁ¿ä

´Ù½Ã´Â ÀüÈ­ÇÏÁö ¸»¾Æ¿ä

 

5ºÐÀÌ Áö³µ±º

³ðµéÀ» ¹­¾î!

 

Â÷ÆÛ

¿¤¸®º£ÀÌÅ͸¦ ÁöÄÑ

½ºÄ³´×½Ç ¾ÏÈ£´Â?

ã¾Ò½À´Ï´Ù

 

°¡¸¸ ¾þµå·Á ÀÖ¾î

- µé¾î °¬¾î?
- µé¾î °¬¾î¿ä

 

ÇÇÀÚ ¸ÔÀ¸·¯ °¥·¡?
±× »õ·Î¿î °¡°Ô?

¾Æ³Ä µÆ¾î

 

½Ãµå´Ï°¡ SD-6¸¦ ±×¸¸µÎ°í ½Í´ë

±×·² ¼ö ¾ø´Ù´Â °É
¾Ë¸é¼­µµ ¸»À̾ß

 

¾Æ¹öÁö°¡ ¾î¶»°Ô Á×¾ú´ÂÁö ¾È´Ù´Â °Ç
ÀÌ»óÇÑ ÀÏÀ̾ß

³­ Ç×»ó ¸Ó¸®·Î´Â ¾Ë°í ÀÖ¾úÁö

±×°¡ Á×¾ú´Ù´Â °É

ÀÚ¼¼ÇÑ °Ç ¸ð¸£°í ¸»¾ß

 

ÀÚ¸® Á» ºñÄÑÁÙ±î
¾Æ´Ï¸é ÇÑ ÀÜ ÇÏ·¯ °¥·¡?

¹Ù¿¡ °¡¼­ ÇÑ ÀÜ ÇÏÀÚ
³»ÀÏÀÌ¸é ±â¾ïµµ ¸øÇÒ°É

¾îÀÌ

 

¹¹ ÀÌ·± ³¯ÀÌ ´Ù ÀÖ³ª

¿Ö ±×·± ¸»À» Çϴµ¥?

À̺Á, ºê¸®½ºÅäÀÇ ¾î¸Ó´Ï
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- ³»°¡ ¹«½¼ »ý°¢ÇϰÔ?

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±×³à°¡ ³Î º¸°í ½Í´Ù´øµ¥

À̺Á, ÀÚ³×´Â ºê¸®½ºÅäÀÇ ´ã´çÀÚ°í

±×³à ¾î¸Ó´Ï°¡ ÀÚ³× ¾Æ¹öÁö¸¦ Á׿´ÀݾÆ

¹Ù³ÝÀº Á¤½Å°ú ÀÇ»çÀݾÆ
À§±â °ü¸® ÇØÁÖ´Â »ç¶÷À̶ó°í

³» »ý°¢¿£ ±×³ã ¸¸³ªºÁ¾ß ÇÒ °Í °°Àºµ¥

 

³­ µÎ²®°í ¹Ù»èÇÑ °Ô ÁÁÀºµ¥
³ªµµ ²¸ÁØ´Ù¸é ¸»À̾ß

¿ì¸® ÇÇÀÚ ¸ÔÀ¸·¯ ¾È °¥°Çµ¥

 

¹Ù³Ý¿¡ ´ëÇØ ¾Ë°í ÀÖ¾ú¾î?

 

¾ÆÁ÷µµ ½ÅÈ£°¡ ¾È ÀâÇô¿ä

¾Æ·¡¿¡ ´©°¡ ÀÖµçÁö
Á֯ļö¸¦ ¹æÇØÇÏ´Â °Í °°´Ù

 

ºñ»ó Æó¼â ÀýÂ÷´Ù

¿¤¸®º£ÀÌÅͰ¡ SD-6·Î µ¹¾Æ°¡°í ÀÖ¾î

¹®ÀÌ ÀÚµ¿À¸·Î ¿­¸±°Å¾ß

 

¿¤¸®º£ÀÌÅÍ ÀÌ»ó ¹«

 

°íÀ§±Þ ¿ä¿øÀÇ ÀåÁ¡ÀÌÁö

°¡ÀÚ

 

K-½ºÆÄÀÌ´ÜÀÌ ¾î¶»°Ô 50¸íÀÇ
ÈÆ·ÃµÈ ¿ä¿øµéÀ» Á¦¾ÐÇÒ ¼ö ÀÖÁÒ?

¸¸¾à K-½ºÆÄÀÌ´ÜÀÌ SD-6¸¦ °ø°ÝÇÑ´Ù¸é
SD-6°¡ º¸º¹À» Çϸ®¶ó´Â °É ¾Ë°í ÀÖÁö

SD-6¿¡ ħÀÔÇÑ ÆÀÀº ¿ì¸®°¡ ¾Æ´Â
Á¶Á÷¿¡¼­ ÀÏÇÏ´Â ³ðµéÀÌ ¾Æ´Ï´Ù

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¾î¶² Á¶Á÷À» À§ÇØ ÀÏÇÏ´Â °Í °°´Ù

 

±× ÄÉÀ̺íÀ» °Ç³×´Ù¿À

 

Ç÷¯±×¸¦ ²È¾Æ¶ó

 

SD-6 ¾È¿¡´Â 600 °³ÀÇ
Ä«¸Þ¶ó°¡ ¼û°ÜÁ® ÀÖ´Ù

¿À ¼¼»ó¿¡

 

Àú ÀåºñµéÀ» º¸¼¼¿ä

Ãֽбº ÀåºñµéÀÌ´Ù

È®Àå źâ, º¸Á¤±â, ·¹ÀÌÀú Á¶Áرâ

 

- 4¸íÀÌ º¸ÀδÙ
- Àú±â 5¹øÂ°¿¡¿ä

 

¾ê±æ ÇÏ°í ½Í±º
º°·Î ÇÏ°í ½ÍÁø ¾ÊÁö¸¸

µû¶ó Àâ¾Æ¾ßÁö

Áö³­ 5³â °£ ¸¹Àº ÀÏÀÌ ÀÖ¾ú´Âµ¥

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ÇÏÁö¸¸ ´ç½Å...

´ç½Å Á»...

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¹¹ ÁÁ¾Æ

¸Ó¸®´Â ¾µ¸¸Çϱº

 

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¢Ý You ¢Ý

¢Ý Bad girls ¢Ý

¢Ý Go to it ¢Ý

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¢Ý Do you go? ¢Ý

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My name is Sydney Bristow.

Seven years ago I was recruited by
a secret branch of the CIA called SD-6.

I was sworn to secrecy, but I couldn't
keep it from my fiance.

And when the head of SD-6 found out,

he had him killed.

That's when I learned the truth:

SD-6 is not part of the CIA;

I've been working for the very people
I thought I was fighting against.

So, I went to the only place that
could help me take them down.

Now I'm a double agent for the CIA,

where my handler is a man
named Michael Vaughn.

Only one other person knows
the truth about what I do -

another double agent inside SD-6.

Someone I hardly know,

my father.

 

Hi. I'm Will Tippin.

David McNeil.

So why are we sitting here?

I'm researching something.

It's called SD-6.

I don't have anything
to say about that.

Why don't you just tell me
what you know?

 

It's been a mystery within the
agency for over two decades...

who murdered those CIA officers.

We have our answer now.

It was your father.

 

And I'm gonna report him.

 

Those cyrillic codes
you found in those books...

 

Yes, they were orders
from the KGB.

And, yes,
they were orders to kill.

Including your father,
Mr. Vaughn.

But, Sydney,
I was not that agent.

 

Your mother was.

 

Sydney!

 

Wait!

 

You can't lose control
over this.

This is not the best time
to start lecturing me.

- I know how this feels.
- Not exactly.

You've had a lot longer
to make sense of this.

There was a time when this
was news to me, too.

 

Your mother was sent
to the United States

to steal secrets from
a ranking officer of the CIA.

How she and I
happened to meet.

How she supposedly
fell in love.

 

I thought it was all true.

 

But it was just a setup.

 

Even her wanting
to have a family?

Or was that just part
of the plan, too?

 

¢Ý My life goes on ¢Ý

¢Ý In endless song ¢Ý

¢Ý Above earth's lamentation ¢Ý

 

¢Ý I hear the real ¢Ý

¢Ý Though far-off hymn ¢Ý

¢Ý That hails a new creation ¢Ý

 

There's something that happens when you
discover the truth about someone.

I know a little about this.

¢Ý I hear its music ringing ¢Ý

The truth changes everything.

 

There's this woman.

 

Her personality like a collage
I've put together

from the photographs,
and the few memories I have,

the scraps of stories
I've heard,

the clothes of hers I've got.

 

Her books.

 

And none of it's real.

 

She wasn't that woman at all.

 

She was a horrible person...

 

...who killed your father.

 

Vaughn, I just wanted
to say...

 

...that I'm so sorry.

 

¢Ý How can I keep from singing? ¢Ý

 

This is Unit 11.
I've got Code 4.

We've lost coverage
on the off-site garage.

Any signs of forced entry?

Negative from gate control.

 

I'll check it out.

Grab me a black coffee.
Two sugars.

 

You know about any A.C. Repairs?

 

Negative.

 

I don't want this job anymore.

Sydney, that's why
you're doing what you do.

You're helping
bring an end to SD-6.

- Not anymore.
- Sydney.

I need someone in my life
to be real.

This, right here,
what we do is real.

Look where we are.

This isn't real.

This isn't
what we should be doing.

- I want out.
- Out?

 

You want to enter
the protection program?

No.
I'm not going into hiding.

If you don't,
Sloane will kill you.

I don't think he will.

 

You like hockey, right?
The Kings?

- Yeah. How'd you...
- The pen in your briefcase.

It's a Kings pen.

Yeah, I got that at...

They're playing
the Islanders next week.

We should go.

 

Sydney, you can't do this.

 

Here's the appeal filed
by McNeil's lawyer last year.

And I found out that SD-6 is an
ingredient in artificial sweeteners.

But that's probably not the SD-6
that you're talking about.

- Does my voice annoy you?
- Your voice?

Yeah, I was going over this
interview with Eloise Kurtz.

I started thinking about McNeil and this look
in his eyes when I was interviewing him.

His lawyer, the same thing.

You're a journalist.
You get paid to be annoying.

- So you say I'm annoying.
- Not to Danny or Eloise Kurtz.

- So I don't annoy dead people?
- You're their champion.

What am I doing
if I'm hurting the people?

If I could bring back
Danny Hecht and Eloise Kurtz, I would,

but I can't.

And if championing them
is gonna cause

David McNeil's daughter
to be in danger,

I can't live with that.

I don't think I can do
this SD-6 story.

 

I'm out.

 

We're right on time.

 

¢Ý Dig through the ditches
and burn through the witches ¢Ý

¢Ý I slam in the back
of my Dragula ¢Ý

¢Ý Dig through the ditches
and burn through the witches ¢Ý

 

How do I look?

 

Will you get me my wife's doctor
on the phone, please?

 

Yeah.

 

Dr. Mendelsohnis on line one.

 

Sir?

 

Sir?

 

Hey, beautiful.

Why don't you turn
that frown upside down?

 

Jennifer Garner (as Sydney Bristow)

Ron Rifkin (as Arvin Sloane)

Michael Vartan (as Michael Vaughn)

Bradley Cooper (as Will Tippin)

Merrin Dungey (as Francie Calfo)

Carl Lumbly (as Marcus Dixon)

Kevin Weisman (as Marshall J. Flinkman)

Victor Garber (as Jack Bristow)

 

ALIAS 1x12 The Box Part 1

Original Air Date : January 20, 2002

 

Sydney.

 

Sydney!

 

- This is suicide.
- I don't think it is.

What exactly is
your exit strategy here?

Politely asking Sloane
to let you out of SD-6?

Based on Sloane's behavior
toward me.

Protecting me at Dinatti Park,
assaulting Russek.

Sloane answers to people.

People who don't know
or care about you.

If he lets you go...

those people will eliminate
him and you.

 

Cole.

 

[Failsafe Activated]

 

Those people Sloane works for,
The Alliance,

if they believe you've abandoned them...
they will kill anyone they think you've talked to.

Your roommate, Francie.

That reporter friend
of yours. Anyone.

 

Hello, this is Unit 11.

On that Code 4...

Let me guess.
You forgot the two sugars.

 

We have a physical breach.
Start lockdown procedure now.

Sure thing, Arvin.
Whatever you say.

 

I felt this way before
I learned about my mother.

This life has to stop.

 

Dead.

But a blackout wouldn't
shut down security.

 

Tippin.

Go to your desk.

 

I'm off the story.

Leave the bathroom
and go to your desk.

 

Will Tippin's office.

Um, yeah, he's right here.

Some guy. Totally nasal.

Clips on the housing story. Litvack wants
2,000 words by noon tomorrow.

 

Hello?

There is something
inside the envelope

that will make McNeil talk.

I don't want to make him talk.

You said you didn't scare easily.

If you're so brave, how about losing the
voice box and telling me your name?

Don't call me again.

 

Five minutes ahead.

Get 'em wrapped up, baby!

 

Chopper.

Secure the elevator.

You got the scanning roomdoor codes?

Got it.

 

You've got to stay down.

- You jammin'?
- I'm jammin'.

 

Want to get a pizza?
That new place?

No, thanks.

 

Sydney wants to quit SD-6.

Which she knows
she just can't do.

 

It's a weird thing,
learning how your father died.

It's always been
this intellectual idea I had.

Knowing he died.

Just not having any details.

 

You really want some space
or are we gonna get drunk?

There's this bar.
You won't even remember it tomorrow.

Hey.

 

What a day, huh?

Why do you say that?

Come on. Bristow's mom.
Your dad.

It's not like a secret
around here.

Vaughn. That really sucks.

- Well put.
- You know what I think?

Barnett's gonna be good
for you.

I'm not seeing Barnett.

Oh, yeah, you are.
She wants to see you.

Come on.
You're Bristow's handler.

You find out her mom
killed your dad.

She's a shrink.
She lives for crisis management.

I think she'll be good for you.

 

I like thick crust,
in case you wanted me to come.

Oh, hey, we don't.

 

Did you know about Barnett?

 

Still can't get a signal.

Whoever's down there could be
jamming the frequencies.

 

Emergency lockdown procedures.

The elevator is returning
to SD-6.

The doors
will automatically open.

 

Elevator secure.

 

The advantages
of high-level clearance.

Let's go.

 

How could K-Directorate
overpower 50 trained agents?

If K-Directorate attacks SD-6,
they know SD-6 will return the favor.

This team that's invaded SD-6 isn't working
with any organization we know.

My guess is they're working
for a group

clearly unpredictable
and dangerous.

 

Hand me that cable.

 

Now plug it in.

 

There are 600 cameras
hidden throughout SD-6.

Oh, my God.

 

Look at that hardware.

Latest military spec.

Extended magazines,
compensators, laser sights.

 

- I see four.
- There's a fifth.

 

I want to talk to you.
That's the sick part.

Catch up and stuff.

So much has happened
these last five years.

And this place hasn't changed.

But you...

you look...

older?

But that's good.

Your hair looks good.

 

Do you know
what the worst part is?

 

Being left for dead
in Grozny, Arvin.

Well, you're going to learn
the worst part.

But another part that sucks

is seeing
guys you worked with,

guys you thought
were tougher than deer jerky,

tortured to death.

 

That's no good.

The most ironical part for me
is we did the damn job.

 

We blew that pipeline to hell
first night we landed.

But you know me, Arvin.

- Do you know this guy?
- I know the operation.

Sloane in '96
sent a team to Chechnya

to destroy
the Shelhemil pipeline.

There were complications.

The team was captured
by the Russians.

And if that chopper
had have been

where the hell
you know it should have been...

 

...my whole life would have
taken a different direction.

- What do you want?
- Well...

I got this really kick-ass
new job.

See, I'm working for this
gentleman they call "The Man."

You will learn about The Man.

What The Man wants

is a certain
little somethin'-somethin'

you got in the SD-6 vault.

Well, you initiated lockdown.

Not only is the vault secure,

the vault access room
is locked now, too.

Oh, don't worry
about the vault access room.

We're taking care of that.

What I need is
the combination to the vault.

 

Not a chance.

 

That's cool.

 

You still got that room
downstairs, right?

The Conversation Room?

 

That's what you used to
call it, right?

 

The torture rooms.
Like you really got to admit

what the hell it is
you're doing down there.

 

So, Arvin, let's go
to the Conversation Room.

 

Check this out.

People victimized by a developer

who's using his political connections
to have their homes condemned by the city.

Now, we go in, shed a little
light on the subject,

protect the little guy,
and no one gets hurt.

I'm gonna go interview
the developer right now.

So no more McNeil?

Nope.

 

Hmm. Interesting.

 

- Hi.
- Hi.

- Michael Vaughn. We've met.
- I remember. Judy Barnett.

- Have a seat.
- Thanks.

- You got my voice mail?
- Yeah.

 

I want you to know I've got
nothing against shrinks.

Well, good.

But I think this might
be a waste of time.

You wanted to see me because
Sydney Bristow's mother was a KGB operative

who killed my father,
among others.

- Yes.
- Which is not ideal news. Obviously.

And, yes, it's emotional,

but I already knew he was killed.
It happened almost 20 years ago, you know?

So I really don't think
I require crisis management.

There's no crisis.

Everything you say to me,
I will keep confidential.

Okay.

I wanted to talk to you about your
relationship with Ms. Bristow.

How often do you meet
with Sydney?

Uh, a couple times a week.

Three or four, sometimes.

Only about operations.

Uh...

We have met on occasion

when Sydney wanted to talk to me
about what was happening within SD-6

or regarding her father

when she believed he was
a KGB agent and not her mother.

You and Sydney
have a friendship.

She needs someone to talk to.

I'd think
you'd appreciate that.

I'm the only person
she can confide in.

So you feel that your relationship
with Ms. Bristow is fully appropriate,

that it falls within the guidelines
of agent and handler?

What are you asking me?

I have gotten some reports
about your behavior.

- From who?
- After the incident in Tuscany,

when you sent in an extraction
team to protect Sydney,

I've been following your work.
Mostly very good.

Thank you.
That's very nice.

Did you purchase a Christmas
present for Agent Bristow?

 

I'm not familiar,
uh, Dr. Barnett,

with the regulations, uh,
preventing officers

from observing,
with their co-workers,

a fairly widely recognized
holiday such as Christmas.

May I ask you
what the gift was?

I'd like you to tell me
who's been reporting me.

I can't do that.

Then I'm just gonna
have to guess.

 

Endo, what's up?
Where are we? I need status.

Almost done drilling.

Then we'll start
packing explosives.

 

Those other two,
where the hell did they go?

 

We should be in the vault room
in 10 minutes.

10 minutes. What are they
going for in the vault?

Could be anything.

Sloane was planning
on sending you to Taiwan.

FTL acquired some Scud launchers.
He wants me to scramble their launch codes.

Marshall was working
on a scrambling device.

- Have you seen it?
- He showed it to me last week.

- What does it look like?
- Why?

Sloane must have activated
the emergency failsafe.

There are 500 pounds of C-4 strategically placed
within the substructure of this building.

Opening the vault
will trigger that C-4.

All underground levels will
collapse, burying any evidence

that the Los Angeles cell
of SD-6 ever existed.

You want to scramble
the vault codes.

 

Can you see the scrambler
in Marshall's office?

There. It's that compact
on his desk.

It's not far
from the air vent.

Getting into his office
is too much of a risk.

 

So, then...

 

We fish for it.

They took us
to their base in Hankala.

After 38 straight days
of beatings,

they finally got around
to interrogating me.

They took me into a room.

They tied me to a chair.

They asked me questions
about Islamic rebels.

They wanted to know where they
were keeping Russian P.O.W.s.

I told them, "I'm just a kid from Redondo Beach
running black ops for Uncle Sam.

Get it?
I'm an American citizen."

Well, that senior
Russian officer

didn't want any piece
of that kind of action.

He had the KGB
contact Langley

through both
front and back channels.

CIA claimed
they never heard of me.

They denied all knowledge

of any operative
by the name of McKenas Cole.

 

So when that Russian
got off the phone,

he was so pissed.

He was so insane with rage.

 

That was when
he showed me this.

Baby?

 

Watch the security feeds.

If I'm caught, get out
through the elevator shaft.

Dad, wait.
You're not doing this.

- Of course I am.
- No.

You're gonna have to crawl
through a maze of air shafts,

get to Marshall's office,
get the scrambler,

get to the vault room, and scramble
the code all in under 10 minutes.

No offense,
but I am doing this.

 

You'll have to find
your way to the vault.

Use the scrambler.

I know how to use a scrambler.

I can't believe, of all things,
we're saving SD-6.

 

Want to see what's inside?

I know you do.

 

I'll open it.

 

You want me to?

 

You're gonna give me

the combination
to the SD-6 vault.

If you don't,
I'm going to open this box.

 

And, Arvin...

 

Trust me when I tell you...

 

you do not want me...

to open this box.

 

- Will Tippin?
- Yeah.

Oh, thank God. You're the third
guy I've introduced myself to.

Maitre d's starting
to give me an evil look.

Uh, I'm sorry.

Are you with
Carla D'Angelo's office?

- Who?
- The developer.

The woman I'm supposed to
meet here.

On my voice mail, you said you were
working on a story about my dad.

About your dad?

Yeah. David McNeil?

 

I, uh...

I never called you.

Now, I don't know
what you know.

What happened with my father?
I know everything.

Well, we never talked.

Okay, maybe,
but we're talking now.

No. This right here,
this never happened.

Your dad, I don't know him.
He seems like a good guy.

He is.
He's the best.

I think he knows what's best.
He does not want you and I talking.

Well, then, who does?

 

Goodbye.

 

What the hell is your problem?
Reporting me?

I don't have a problem.
You have the problem.

My business
is not your business.

I'm looking out for
the good of the agency.

- Then you should quit.
- Stay out of my way.

Did it make you feel better telling Barnett
that I got Sydney a Christmas gift?

You're too emotionally
attached to that woman.

Like you would know about being
emotionally attached to a woman.

- Your judgment's impaired.
- I'm gonna kick your ass.

- You're out of line.
- You're out of line.

You stay the hell out
of my operations.

Who's out of control,
Vaughn? Me?

Did you see that?
Did everyone see that?

That's what I'm talking about.

 

No, come on.

 

Explosives in place.
Activating detonator.

 

- We're in.
- Excellent!

All right, Arvin,
here's the deal.

We are in the vault room.

Two things.

One. You don't give us
the codes...

we got the tech to get in.
It'll just take a while.

And two.

You give us the codes,
I won't have to open the box.

Which would be
really excellent for you.

 

I can't be the first person to have
difficulty taking you seriously, can I?

 

Well, while that was
a moderately clever retort...

 

I'm the man holding the box.

 

Have you ever
regretted being born?

 

That's a pretty
heavy thing to experience.

 

The regret...

of having emerged
from your mother's womb.

I mean, I've had
some dark days, but...

nothing close to regretting
the day I was born.

Until I met...

 

"Needles of fire."

 

No, Sydney, don't.
Don't.

 

Good. Good.

 

We need some help!
This guy's having a seizure!

Ice, where the hell are you?

 

I heard something back there.

I'm gonna go
and check it out.

 

Um, excuse me.

 

As luck would have it,
I'm feeling kind of

a Stockholm-syndrome thing
happening.

 

There's this little
cajun food place

in Abita Springs, Louisiana.

It's called Rockamore's.

You know what
they're famous for?

For making people cry.

You know what makes them cry?

The hot sauce.

And no one knows how
they get that crap so hot.

Legend has it that the Devil
comes by once a month

and spits in their frying pan.

Point being...

the hot sauce at Rockamore's

is like a fluffy
vanilla ice-cream cone

when compared
to what's in these.

 

Each one is like you took
a bag of red jalapenos,

threw 'em in a blender...

and used them for an enema.

 

And, Arvin...

 

you're about to get to know 'em.

 

These needles...

They're a whole lot of no fun.

 

Wait.

 

You have to have a pen.

 

Hey. I know you said
you don't want to talk...

I don't think that we should.

Fine. Whatever.
Then just listen, please.

What I said before
about knowing everything...

that's not true, okay?

I don't know what SD-6 is.

I don't know why the people who
are a part of it destroyed my life.

All I do know is that
they killed my mother

and framed my father.

Every time I say that,
it's like,

do people really exist
who do things like that?

And if they do, isn't it our obligation
to do something about it?

Not if doing it's gonna make
more innocent people get hurt.

Which is why I'm here.

See, I know my dad
won't talk

because he's afraid that something
bad will happen to me if he does.

Yeah.

Robert Stoller,
my godfather,

knows some people who can send me away.
Somewhere where they're never gonna find me.

I'll be safe, so my dad won't
have to be afraid anymore.

 

I'm gonna go away.
Now, tomorrow.

Whenever I know that someone
is fighting for my father.

So please...

if you can...

...just help my father.

 

Please.

 

8... 5...

9...

and 3.

 

And 3.

 

Now, it takes the powder
a few minutes to kick in.

I can always take it out.

So, Arvin, why don't you
give us the real combination?

 

¢Ý You ¢Ý

¢Ý Bad girls ¢Ý

¢Ý Go to it ¢Ý

¢Ý Hell ¢Ý

¢Ý Do you go? ¢Ý

¢Ý Bad girls ¢Ý

¢Ý Go to it ¢Ý

¢Ý Hell ¢Ý

 

Where are you?

 

3.

 

Access denied.

Sloane!

 

Target out of range.

Go get 'em.